Authorial Involvement and Adaptation Fidelity: A Comparative Analysis in Percy Jackson and the Olympians: The Lightning Thief Novel and Disney+

Alvirna Chandrika Irvanda, La Sunra, Riola Riola H. Nur

Abstract


Author involvement and adaptational fidelity are interrelated concepts, though they are rooted in different fields: the study of writing and the study of media. In the practice of adaptation, the writing process is collaborative, so fidelity to the source text is often at stake. However, maintaining full fidelity is frequently hindered by the limitations of the medium and the demands of the audience. This gap highlights the need for a more in-depth study of how author involvement influences the degree of fidelity in an adaptation. This study aims to analyze the relationship between author involvement and adaptation fidelity, specifically in the novel “Percy Jackson and the Olympians: The Lightning Thief†and its television series adaptation, as well as to assess the implications of these changes on audience reception. The research method employs a qualitative design with a narrative analysis approach. Data were collected from primary texts (the novel and the television series) as well as documentation from the television series. Analysis was conducted using thematic comparative techniques, assessing the alignment of adapted scenes with the source material. Fidelity was categorized into three levels: high, moderate, and low. The results show that despite direct control by the author, structural and narrative changes still predominate. The number of scenes with moderate (n = 82) and low (n = 64) fidelity was higher than that of scenes with high fidelity (n = 67). This research finds that the adaptation decisions regarding plot and character influence audience perceptions of fidelity and creativity in adaptations from literature to screen

Keywords


Fidelity, author involvement, Percy Jackson, adaptation, Disney+ Hostar

Full Text:

PDF

References


Caleb Theodar, Saranya P. (2023). Script to Screen: Refining the Sense of Screenwriting and Directorial Cinema in Adapting The Da Vinci Code. Vilnius University Press, vol. 95, pp. 8-20. https://doi.org/doi:10.15388/im.2023.96.62

Creswell, J. W., & Creswell, J. D. (2023). Research design: Qualitative, quantitative, and mixed method approaches. SAGE Publication.

Dhotre Rajesh & Rajesh Yeole. (2025). From Literary to Visual: Exploring Fidelity and Creative Freedom in The Guide and The White Tiger.". South India Journal of Social Sciences. https://doi.org/doi:10.62656/sijss.v23i1.1655

Endrico Witomo, Irfan Rifai. (2023). Texts to Movies: Does Adaptation Limit or Liberate Meaning? Jakarta: ICOBAR. https://doi.org/doi:10.1051/e3sconf/202342601089

Hakim, A. R., & Zulfa, A. (2021). Adaptation of character in Percy Jackson and the Olympians: The Lightning Thief: An ecranisation study. Perpustakaan Fakultas Adab dan Humaniora UIN Syarif Hidayatullah. http://opac.fah.uinjkt.ac.id/index.php?p=show_detail&id=16278&keywords=

IONESCU, P. Ș. (2025). The horror of misreading: poe’s literary intent and the problem of contemporary adaptation1. Imaginarul Și Adaptările Textului Literar, Vol. 16. Nr. 2. 29-47. https://doi.org/doi:10.29302/inimag.2025.16.2.1

M Caleb Theodar, Saranya P. (2022). Rethinking Film Adaptation Through Directors’ Discourse and Auteur Theory: Approaching Dan Brown’s The Da Vinci Code. Theory and Practice in Language Studies, Vol. 12, No. 12. https://doi.org/doi:10.17507/tpls.1212.21

Miller, L. (2025). Doctrine, Adaptation, and the Fidelity Urge. Religions. https://doi.org/doi:10.3390/rel16060750

Nissen, A. (2024). Authors and adaptation: Writing across media in the nineteenth and early twentieth centuries. Palgrave Macmillan.

O, K. (2025). “But What if I Don’t Want Him Under Those Terms?â€: Adaptation, Marriage, and Performance in The Women (1939). Quarterly Review of Film and Video, 42(1), 117–134. https://doi.org/doi:10.1080/10509208.2024.2410069

Panaite, M. M. (2025). Between the Coen brothers’ legacy and Noah Hawley’s new ideas: Fargo TV series and the question of authorship. CEEOL. https://www.ceeol.com/. https://doi.org/doi:10.19195/0860-6668.28.3.5

Rebecca., A. (2022). Borderline communities: aesthetic and authorial thresholds in the postcolonial script and film adaptations of Jhumpa Lahiri’s The Namesake. Interfaces. https://doi.org/doi:10.4000/interfaces.4589

Riordan, R. (2020, June 8). 'Percy Jackson' author Rick Riordan not a fan of the film adaptations, calls them a 'mess'. USA Today https://eu.usatoday.com/story/entertainment/books/2020/06/08/percy-jackson-author-rick-riordan-slams-film-adaptations/5324131002/

Steinberg, J. E. (2023). Percy Jackson and the Olympians [TV series]. . Disney+.

Tirtaningtias, H., & Pratiwi, A. (2021). Trickster archetype as seen in Harry Potter movies: The fourth and the fifth series. Linguistics and Literature Journal, 2(1), 41–49. https://doi.org/doi:10.33365/llj.v2i1.631

Vooght, U. (2023). The Great Gatsby meets Alain Badiou: Rethinking fidelity in film adaptation. Aosis Publishing. https://doi.org/doi:10.4102/aosis.2023.bk421

White, C. (2023, Desember). How a hands-on Rick Riordan helped Disney Plus' Percy Jackson find its way. AV Club.

Yulianti, D. D. (2023). The changes of ideology in the adaptation of Rick Riordan's novel Percy Jackson and the Olympians: The Lightning Thief into Chris Columbus' film . [Undergraduate thesis, Universitas Jember]. Repository Universitas Jember. https://repository.unej.ac.id/xmlui/handle/123456789/123988




DOI: https://doi.org/10.36269/sigeh.v6i2.5440

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.